The Marriage between Film and Philosophy: Notes on Stanley Cavell's Metaphilosophy
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Abstract
In this paper we will explain briefly some fundamental characteristics of the concepcion of philosophy defended by Stanley Cavell, with special attention to his claim of cinema as a philosophical agent. Our aim is to expose synthetically some keys of Cavell's metaphilosophical approach, in order to later develop his conception of film art as a type of particular philosophical praxis, based on the fact that cinema can be conceived as an adequate “medium of though” capable of dealing with many philosophical problems.
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Ruiz Moscardó, J. (2019). The Marriage between Film and Philosophy: Notes on Stanley Cavell’s Metaphilosophy. DIÁNOIA, 64(82), 177–187. https://doi.org/10.22201/iifs.18704913e.2019.82.1640
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